Star Trek Into Darkness #SPOILERS
Posted: May 25, 2013 Filed under: film, movie review, star trek | Tags: Chris pine, cinema, enterprise, film, into darkness, movie, paramount, Quinto, simon Pegg, Spock, star trek Leave a commentLet me start out by saying two things 1. that I was something of a fan of the original series and 2. possible spoilers ahead.
Last night I trundled off to see the latest Star Trek movie, I’ve seen most of them at the cinema to be fair and up until last night saw no reason to change the habit of a lifetime.
The film opened up with a delightful sequence of Urban and Pine racing through a pink forest attempting to save a culture on the brink of extinction. The cinematography was lovely, the chase scene was okay and idea of saving a culture against the edicts of the Prime Directive directly in line with how our beloved starship Captain should start the movie. Even the eruption of the Enterprise from the ocean and hurtling towards the volcano filled me with a childlike awe and I prepared for a good solid two hours of fun. Sadly my fun was short lived.
Star Trek has always prided itself on being about family, community – both on and of screen and yet with these reinvented versions of Kirk and co we appear to lost the heart of Star Trek, it’s all become a bit more like a generic action film, missing the tension, missing the chain of command, missing lots of things that Trek used to give us. Now think we an all accept that Trek had lost its way the last few years and the revised timeline of the new films has injected that newness and a survival instinct that will ensure that the StarTrek brand lives on, but the cost seems high.
Anyway, back to the movie – it rocks along at a racing pace with things happening left right and centre, not stopping to give any rationale or reasoning and let’s not even discuss the underwear scene with the Carol Marcus character – needed? Hmm.
Star Trek Into Darkness cheaply imitated the best bits of Star Trek II: the Wrath of Khan and then gave us the happy ever after just to make sure that the third in the series turns up. The writers have described these as the Easter eggs for the fans but to my mind as a long time fan these seemed to be cheap imitations from a script that didn’t have enough good ideas of its own. Possible the worst of these was seeing Zachary Quinto screaming the name of the villain in an attempt to replicate Bill Shatners emotions filled ‘Khhhhaaannn’. This new version seemed so lacking in punch and the death scene of the captain was so badly framed, so poorly conceived that it didn’t hold true. Star Trek fans should replay STII and see which was better. Simon Pegg though in this scene, as he looked on filled the room with gravitas and his portrayal of Scotty continues to impress even if his sidekick doesn’t.
Let’s be fair though there was some good acting, Karl Urban is excellent in almost anything he does but the rest seemed a little lost, Chris Pine has little presence as Kirk and Quinto seemed out of depth attempting to portray a 21st century Spock,it seems our favourite Vulcan is now more than ever completely angst ridden. Zoe Saldana has become the kick ass girl on the crew and seems more concerned with command than linguistics, infact the captains chair had so many occupants I assumed that at some point she would become the captain or admiral or something. Then we have John Harrison played by Cumberbatch and while he conveyed suitable menace and emotion he was woefully underused and will not be remembered for his Khan the way Ricardo Montalban will be. He snarled and cried in all the right places and you will even develop a sympathy with him but his character is too caught up in blowing the movie to bits that we don’t get enough depth to him. Both Alice Eve and Peter Weller as the Marcus family came across as pretty wooden and this seemed more down to the direction and lethargic, angst ridden script. The funny thing is that so many of these actors really have done stunning work roast least done much better, take Anton Yelchin for example he spent most the film running round with goggles on shouting in his strangely stereotyped Russian accent! Wasted!
I want to find positives but I’m struggling, well perhaps the Enterprise has never looked better and Earth looked believable but there were so many special effects it all seemed so over cooked, add to this the scale of Enterprise never seems quite right, so many different costume types. Arrrghhh!
Perhaps the positive I’m looking for is found in the dialogue between Kirk and Scott, here the script opens up a. new relationship for Kirk, one that you suspect wasn’t suitable in the original series because of Doohan and Shatners poor relationship. Pegg and Pine come across like old drinking buddies and this seems perfectly suitable and a nice touch to the tradition trinity of Kirk, Spock and Bones.
However, in conclusion …
Disjointed, overlong, gimmicky and too many poorly conceived and executed ideas, but do go and see it and if like me as you half closed your eyes you saw a little too much of The Avengers… Still Abrams is off to completely change Star Wars next, oh well.
@thaiview Film Review #Dredd
Posted: April 17, 2013 Filed under: film, movie review, spaniel | Tags: Anderson, Dredd, film, judge dredd, justice, Karl urban, ma ma, mega city, review, spaniel, star trek 1 CommentDREDD-FUL? NOT IN THIS MEGACITY OR THE NEXT
As I’m sure you are all aware as a Spaniel Daddy (@paulkdesigner) and I (@thaiview) like to have sit down and watch a movie together. The problem is that I’m only 5 years old and the film I fancied watching was Dredd with Karl Urban, not exactly the kind of PG goodness that most five year olds should be watching. I digress.
Daddy tells me that they made a version of this character starring Slyvester Stallone about 15 years ago that was more like the Mickey Mouse version than the hard, gritty version that was being served up by its 2012 successor. Let’s start with the synopsis of the movie
In a violent, futuristic city where the police have the authority to act as judge, jury and executioner, a cop teams with a trainee to take down a gang that deals the reality-altering drug, SLO-MO.
The synopsis is pretty accurate, taken from IMDB but if you’d read this and knew nothing else this would be a pretty rubbish sounding movie. Dredd is about convictions, honour and above all duty … I mean yes it’s also about the uber violence – which this film delivers in glorious spades but Dredd is a character that we love to hate. He’s the character you would have sent after Bin Laden and knew that he would have found him and been home in time for dinner. He’s relentless in his pursuit of the protection of the law, be it right or wrong, you simply have to admire, even if not agree with. The depiction of Dredd here is as close to the comic books as you can get, he isn’t quite the fascist that perhaps the comic book version is but then I’m not sure that works on screen, this version is driven, Urban himself that his take on the character was as an average man with an insanely tough job in a fragmenting society and likened Dredd’s heroism to that of a fireman. But Dredd was only one of the characters Olivia Thirlby as Anderson worked a charm, her personality allowed some charm and humanity into proceedings that our beloved anti hero simply can’t have.
The story itself was a simple affair, Dredd and Anderson investigating a murder in a tower block and uncovering the key distribution centre and main players involved. Low on ammo but with a dedication to the law they search out Ma-Ma, our disfigured former prostitute and leader of the gangs. Lena Headey is on excellent form as a woman with no remorse and has nothing but self interest in her heart. It is the lack of emotion from the two key protagonists that perhaps set this apart from other dark comic book adaptions and make it infinitely better. Think how much better Ghostrider and The Punisher would have been if they had played to the characters key strengths.
Dredd was tight, confined and never really deviated from its key aim of telling a very simple story. Alex Garland brought a grounded version to the screen but not before he had played in his writings with lots of the elements that have made Dredd so successful in print. The direction, visual effects, acting and storytelling are compelling and those reviews that describe this as mindless mess are missing the point and the setting. Daddy may not have wanted this Spaniel to watch a certificate 18 movie but it was worth waiting for him to go out.
You can see how this would play better to a UK audience rather than the US, there’s no real happy ending, there’s no real hero, nobody’s coming out of this smelling anything other than shitty. It’s intelligent without being arrogant and is an excellent slice of near future Science Fiction that takes itself seriously.
My poor Spaniel brain once saw the Stallone version of this but Urban and his colleagues have vanquished that from my mind. Woof woof, thanks bipeds, now go see this film while Daddy takes me to see Oblivion.
A Forerunner with FiveFingers
Posted: April 20, 2012 Filed under: Uncategorized | Tags: 10k, camelbak, crystal palace, darent valley, eunning, fivefingers, garmin. forerunner, komodo, London, marathon, racing, vibram Leave a commentThere are very few things I love more in this world than slipping on a pair of shorts and a T-shirt and hitting the road for a bit of a run. Being 34 means that I’m at that stage in my life where I’m not going to be running any 10.5 second hundred metres anymore but I’m at a point where I can perform across distance at a fair old pace (about 4 minutes 15 seconds per kilometre).
More recently I’ve decided to take things a little more seriously, I joined a bit of a social running group and decided that I wanted to race more. I also wanted to generally improve and keep that heart attack from the door. My new running group gave me a few bits of inspiration and importantly some excellent fashion tips, I say fashion but actually one of the chaps is a regular wearer of Vibram FiveFingers, something I have always eyed with suspicion but had noted that the Barefoot movement is gathering some pace – if you’ll excuse the pun.
After a long debate and thorough research I decided that I needed to try a pair. Off to Stratford City Westfield I went and there in all their glory where what I describe as ‘toe shoes’. Trying them on was actually amazing and I paid my money for some lovely Vibram Komodo and left the store (that night I went to sleep in them).
I did as instructed though and started reasonably slowly (4k) but then pretty swiftly kicked into gear and was running 10k in them. I think I’m pretty lucky in that I’ve always run on my toes and so as a consequence the transition didn’t seem as painful as some peoples, but even so it still took about 4 weeks to get properly into the swing of them.
The great news is, I’m faster, less injured and I look cool, what more can you ask from a pair of running shoes – now all I need is a pair of the FiveFingers Seeya and I’ll be a happy man
The problem was this wasn’t enough and my spend on running kit continued, the Camelbak XCT (review to follow) was the next thing after I decided I needed to run a marathon and finally I have recently purchased the Garmin Forerunner 410. I shan’t go into all the technical bits of the watch but instead simply deliver a verdict that this is actually really helping me to keep my pace sensible and track my routes – which is something I’ve always struggled with since moving my distances up. Add to this its a great looking piece of kit and you are really onto a winner. I paid just £150 which for a feature packed watch is nothing and the whole Garmin Connect website concept just means that I can keep in touch with what my fellow runners are up to.
Between them the Vibram FiveFingers and the Garmin Forerunner 410 (and my running group) have changed the way I run and think about running. Before it was about winning now its very much about taking part and doing the best I can on the day. I’ve just completed the Crystal Palace 10k and the Darent Valley 10k about 46 minutes for each and I see I’m getting quicker. I’m aiming for a time of 39.59 in the end but we’ll see if that ever happens again and if it doesn’t well I’ll survive.
Me and Dale (and Daddy)
Posted: March 30, 2012 Filed under: Uncategorized | Tags: art, chihuly, colourful, Creative, dale chihuly, glass, halcyon gallery, London Leave a commentDaddy and I had decided that we should have a bit of day out. He slipped the lead around my harness and off we went. he didn’t tell me where we were going to, he simply explained that my waggly Spaniel tail would have a lovely old time. Well we arrived at Bond Street tube station a little while later and headed straight for a place called a ‘gallery’. This is a space usually reserved for humans but I gave my usual doggy grin and the guard on the door let me in.
Once inside daddy showed me the delights of Dale Chihuly, an artist who makes beautiful glass things and equally beautiful paintings. Daddy says that Spaniels probably aren’t so great at the glass blowing but he says I might be able to have a go at the painting.
The Halcyon Gallery is a wonderful addition to the London art scene and recommend you go along and support it, this lovely little Spaniel will be trying to sneak in again sometime soon. The Chilhuly runs until the 21st April 2012, so don’t be afraid they are very, very friendly in there. Please note not all hounds are as cute as me and they probably won’t let you in 🙂
Woof! Thai
Campaign and Presentation Pointers
Posted: February 20, 2012 Filed under: Uncategorized | Tags: campaigns, communication, Creative, dancing, ideas, lecture, paulkdesigner, presentations, skills, workshop Leave a commentI was in a strange position just last week when I was asked to give a lecture about producing great campaigns and better presentations. I was greeted by a group of very interested future account managers, traffickers, creatives and business owners and I set about my own brand of madness to sell them the principles of good campaigning and presenting as I saw it. As I prowled and danced round the lecture hall I had the sounds of titters and giggles from the ladies as they witnessed either a breakdown or a very clever assessment of how creativity, business and common sense should all work together. I like to think it was the clever assessment but you can never quite tell can you?
As a creative I have always been interested in giving something back, this was one of those opportunities and if you are a designer or account manager out there today I would urge you to engage with the next generation of talent. Below are the notes I used during the epic 90 minute lecture and workshop.
Have a great team Putting the right people into a team is vital, when a campaign is produced you need the right balance of creative people and suits. This can be applied to almost any business team, creative people are your thinkers, ideas people and the suits are the ones who come across with the practical information, the grounding. However, remember suits and creatives can swop roles and often have skills that transfer – use these.
Put the right people in the right places There is no point getting a copywriter to produce the budget, this isn’t the strength they have been brought to your team for. However, if they have ideas about budget it’s worth a listen.
Leadership There must be a leader, somebody to make decisions One person makes the decisions and if there is a power struggle inside the team good management should deal with this swiftly, quietly and with dignity you will still need this team member later down the line.
Be prepared Starting a project when you haven’t got your brief, research or team decided can lead to problems including developing solutions that don’t fit or creating division in a team.
Ensure that the brief you have a as full as possibleIn the course of a career you will receive a project that has very little detail but these are dangerous, get information. Information is powerful, it allows you to go to the project with the knowledge that your solution can fit to. If your brief lacks information go to the client/service and find out all you can. At the same time if a campaign brief is too tightly fitted then you might have nowhere to go and the campaign will never get any traction, therefore you must negotiate openings with the client or service to ensure the brief is open enough.
Basically, if the brief doesn’t work or will fail to deliver the right results for the client product or service then it needs rewriting and they need to understand why.
Good research Find out what’s happening in your clients/products sector but don’t be restricted by this – also look at products outside that sector this will lead to positive campaign influence and don’t be afraid to use media that are considered unfashionable.
Forget others Don’t be hampered by what other people do, be true to yourself, the brief and the criteria, the client will always appreciate this and the work you produce will be better.
There is no such thing as a bad idea only ideas that do not fit the briefIdeas are ideas and somewhere they have a place but it might not be in this project. Remember get all the ideas pouring out, a project that only has one idea is a dangerous one. Remember that a great idea, the winning idea can come from the most junior member of the team, do not be afraid to accept this.
Be creative and dynamic ‘Seen it’, ‘they did this’, ‘I like this didn’t Coca Cola do that?’, ‘Couldn’t we copy Apple!’ I’ve heard them all. Be original in your campaigns, events, creative, you might hit upon the next great campaign that really touches. Clients and consumers are subjective, remember, somewhere, someone will hate what you do – that’s okay. Interestingly you may think you haven’t got a creative bone in our body – you are probably wrong, ever dressed for a fancy dress party? painted a picture for your parents? Taken a photograph on you iPhone? Then you’ve got creative in you and that thinking can be a powerful ally when making dynamic appropriate campaigns.
Critique Good critique can go a long way to producing even better campaigns. Accept it.
Keep things simple If you over complicate a campaign it runs the risk of coming apart under that complexity. There can be very complex tactical and production elements but at the hub a great campaign is the simplest of ideas.
Environment Consider implications outside the brief, producing a logo for example is great but how does it work on a website, on billboards, in black. Is it a product of its time and will it last or need replacing very quickly, is it an obvious solution?
Ensure you know what your campaign will need to succeed. With the increasing diversity of campaign opportunities in social media and beyond this is increasingly important.
There must constructive conversation and dialogue A good campaign leader listens, keeps conversation going, even a the last minute a good idea can be change the focus of a campaign. Charles Saatchi while playing chess was presented with the phrase ‘the worlds best airline’ he reached across with a red marker scrubbed out the world ‘best’ and replaced it with ‘favourite’ then returned to his chess. This change gave British Airways it’s most memorable ever strapline and campaign.
Ready, steady, go When you present a campaign in be very ready – drill the team on their roles, be ready for questions, ready to deliver the messages and ready for criticism. Be prepared for all these things and importantly remember – you aren’t going into battle, listen to the client but defend and sell your campaigns. Prepare your presentation in appropriate media, if you choose digital always prepare something to leave behind and always prepare a printed backup – nothing worse than getting there to discover your iPad has no juice left. Your printed and digital material should also be well branded, not be in a vairiety of fonts, clear and concise like the oral presentation you are giving.
Be polished Never look like it took you 20 minutes to produce your campaign even if it did, the client must think they are they most important thing in your universe – regardless of their actual financial worth to you.
Introduce yourself Assume that the people in front of you have never before seen you, your business or what you have to offer. Even if they have it never hurts to remind them.
Product Talk about the product, consider your strategy, building pain and applying gain often helps to sell in a campaign, what is the client or customer missing and how do you and your product or service fill this need.
Conclusion Be concise about the benefits – three great points that are unforgettable
The Monster Inside Have a giant noise or something stupid that you can do infront of your team to amuse or let off steam, it’s brilliant … and finally have fun, campaigns are often stressful to produce but enormously good fun to be involved in.
The lecture was finished with a brief workshop getting the students to go through how they would market a new brand of T-shirt, where they would do, why they would do it there, what forms of communication they would use. Nobody fell asleep and I felt great.
Until next time …
Vampire Vogue
Posted: August 21, 2011 Filed under: film, movie review, Uncategorized, vampire | Tags: blood, blood the last vampire, bloody, crouching tiger, DVD review, Gianna Jun, hero, monsters, movie review, onegin, samurai, sin city, Twilight, vampire Leave a commentBLOOD: THE LAST VAMPIRE (2009)
Are you a bit sick of the waste of time that is called Twilight? Have you actually had enough of vampire movies in general? Well let me tell you fellow Spaniels and bipeds too that there is a movie I saw recently that has restored my faith in the vampire movie. Blood: The Last Vampire, imagine if ‘Sin City’, met ‘House of Flying Daggers’ and had a child called ‘Dark City’ and you have a brief overview of what you would be witnessing. Daddy let me watch this instead of sitting in the cage, mainly because I think he was scared of the vampires. Anyway let me track back a bit
This is the story of a young (looking) girl, Saya, who happens to be a vampire hunting vampire, it follows her desire to exact revenge on chief vampire/demon Onegin and how these two enormous characters come crashing into each others lives. The visuals are very much inspired by films like Sin City, Dark City and Roadhouse but have the beauty we associate with films like ‘Hero’ and ‘Crouching Tiger’. What makes this better than most though is that the story is well composed, deftly crafted in direction, dialogue left to a minimum and paced at just the right level so that you don’t feel as though you might die of boredom (Twilight) or worse that you are going to vomit from too much camera movement (Transformers).
There is no doubt that it’s bloody, the body count is high and that it is vicious almost to the point of ridiculous but it is also warm and generous and while relationships aren’t explored in too great a depth we get a sense of each of the key characters.
So how did this Spaniel find it? I loved it and if you find yourself an enjoyer of all things vampiric then this is a movie you must try. There are very few English language movies like this and it really does have a little bit of everything and with the added sex appeal of the lead actress, South Korean, Gianna Jun then this is a great way to spend a couple of hours. Enjoy!
This review refers to the live action version rather than the animated version (2000) Image © Beijing Happy Pictures Cultural Communications
Designer Making
Posted: August 20, 2011 Filed under: Creative | Tags: career, CV, Design, graphic design, love design, recruitment, starting out, talent, thinking, visuals Leave a commentBECOME ONE OF THE UNDERPAID
Starting out as a designer was an easy thing, I’d always wanted to be in a creative industry and the British comic book market was in the doldrums at the time or at least it wasn’t in a place that I thought I can make a career of it, so I decided that being a graphic designer was the way forward. I chose the traditional route of Art & Design at GCSE/HighSchool but as I moved up to the next level I knew that I needed a change and moved over to a BTEC, this allowed me to learn more about design and focus on the various media that a designer has at his or her disposal, I was lucky too having a series of great tutors and they allowed us all to develop our skills in thinking and not just craft – this is vital for success as a designer. If you want to be a graphic designer you need to know how to think, Adobe does not think for you and neither does your Macintosh, you need to understand the nature of your ideas and how you can translate them, communicate them and let the end user identify with them. You will need to do a degree, this will really help to hone your best skills and while there are lots of examples of designers who didn’t go to University the bulk of them did – not all of us are as blessed in the design skill as say David Carson. Once you have spent three years learning how to think then it comes to getting a job and this is the difficult bit and right now I’d not advise a shift into graphic design, salaries are down, companies are scaling back on staff and great opportunities are rare.
However, if you are reading this you probably have a visual talent but not a lot of experience as a designer – so what might your options currently be? basically companies are looking for freelance options to cover where they used to have full-time members of staff. There are a number of ways to get your foot in the door, if feel you have enough high quality work and CV is impressive enough then cold calling via email is a great start, but make sure you bespoke your message, make sure you know the CD or DDs name and if you can tailor your CV to the company you are looking at. Probably your most successful route to graphic design is through people you know, but this is fraught with danger, if you fail to deliver after a personal recommendation this will be your reputation and the reputation of the person at risk. So make sure you are prepared for the work you are about to undertake. Then there are recruitment agencies – but that’s a whole other blog post!
There are things you can do also to help you in your quest for freelance work, ensure you are active on things such as Tumblr, Flickr, Behance, Creativepool and Twitter, Linkedin has excellent job resources and make sure that you watch the job boards regualry, especially ones such as designjobsboard.com, brandrepublic.co.uk and mad.co.uk (these are very much for the UK market) remember though that many companies will not get back to you simply because they are so busy trying to deal with the day to day and they are getting tonnes of CVs. Also there are design groups all over the world that meet periodically, this can be a very good way of designers getting together from all disciplines and simply chatting and networking, some are organised such as the ones from D&AD and the RSA (in the UK) and others are organised by channels such as Twitter and Flickr, but you have to find these, this is also a great way for lots of designers to go through your portfolio for you and help you to focus it. These are also routes to finding small creative jobs, it can be anything from designing nightclub flyers to shop frontage.
Be impressive, anything you do online, social media, blogging, etc, stand out from the crowd, do creative stuff just because you can, photography, illustration, patterns, whatever it takes to show an organisation tha you have the skills that can be transferred to graphic design.
Under being impressive there are two final things I would say, make sure your portfolio is clear, visually crisp, well maintained, up to date and relevant, showcase as much skill as you can. Make sure you know why you did what you did in your work, you will at some point be asked. Being a designer who has ideas in branding is more important than Indesign. You can learn computer skills but you can’t learn how to have an idea. Last of all be prepared when you go through the door, designers are often relaxed to look at but are still looking carefully, this means you stay confident and focused, a winning personality helps – show potential, show talent.
PK
The First Avenger
Posted: August 18, 2011 Filed under: movie review | Tags: bexleyheath cineworld, captain america, chris evans, film, marvel comics, marvel entertainment, movie review, spaniel, stanley tucci, tommy lee jones 1 CommentCAPTAIN WHO?
As a dog I’m rarely allowed into the cinema, but it being the summer I was able to sneak past the sleepy and over hot cinema usher at my local Cineworld in Bexleyheath. Daddy took me along because we are both huge Marvel Comic fans, less so since Disney bought them because as we all know Disney is the root of all evil (persecuting the lefties, etc), but we love a good comic book movie. Now the question was, could Captain America actually be classed as a good comic book movie or even better a good movie?
The first thing we should say is that Captain America was never going to be an easy sell – not with the surname ‘America’ and you might expect that this would be a bit of a flag waving exercise but you would be very wrong. Captain America is the story of a boy who finds himself and finds his place in the world and it’s as simple as that. The fact that finding himself leads him to becoming this superhuman soldier is simply par for the course. The story itself rattles along at a fair old pace and the effects are as you might imagine – perfect
Lead actor Chris Evans, while no Spaniel is certainly a worthy ‘Cap’ and makes more of this than he ever did as Johnny Storm. He comes across as a thoughtful brawler and looks every inch the all American hero, he’s fortunate really to have been given a character that has the opportunity for depth because it allows Evans the opportunity to play both hero and victim successfully but it is in the supporting cast that we find out gems, Tommy Lee Jones is as grumpy as ever and Hugo Weaving provides another wonderful performance as someone just a little off balance, both though can’t take away from the lovely Stanley Tucci who has been one of my favourite actors since his great turn in ‘Murder One’. This time he plays the scientist who invents the super soldier serum and gives a nicely understated performance that allows Evans to shine off him.
So, my view is pretty simple, go see Captain America, it’s a couple of hours of fun, not too jingoistic and a great lead into The Avengers. Are there any downsides to this one? Probably, but I didn’t see them because you put your brain into neutral and let the story unfold.
Happy Watching. TP
Love to hate that ‘bot
Posted: July 26, 2011 Filed under: Creative, Robot | Tags: canon 550d, celebrity, Creative, ipad, love to hate, photography, r2d2, Robots, set-up, star wars Leave a commentROBOT CELEBRITY
Caught my robots sleazing over this celebrity shot of everyones favourite robot, funny only ten minutes earlier they had been moaning how success had gone to his head! Robots are so fickle …









